Let there be lips!’”So the audience shouts as Patricia Quinn’s disembodied, stop-sign-red mouth appears on the big screen, the luscious sneer crooning the opening number of cult film/movie musical ...
Before Chloe Zhao and Kore-eda Hirokazu sat down for their Tokyo International Film Festival conversation, they had each been crying over the other’s work. Kore-eda watched Zhao’s “Hamnet” in a small ...
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